Experimental gentlemen

Volume 7 Number 3 March 14 - April 10 2011

William Strutt, born Teignmouth, Devon, England, 1825; died Wadhurst, Sussex, England, 1915. Bushrangers, Victoria, Australia 1852 (detail) (1887 oil on canvas 75.7 x 156.6 cm, The University of Melbourne Art Collection. Gift of the Sir Russell and Lady Grimwade Bequest, 1973)
William Strutt, born Teignmouth, Devon, England, 1825; died Wadhurst, Sussex, England, 1915. Bushrangers, Victoria, Australia 1852 (detail) (1887 oil on canvas 75.7 x 156.6 cm, The University of Melbourne Art Collection. Gift of the Sir Russell and Lady Grimwade Bequest, 1973)

The worlds of colonial art and rock music come together in a new exhibition at the Ian Potter Museum of Art. By Katrina Raymond.

The new exhibition Experimental gentlemen will open at the Ian Potter Museum of Art at the University of Melbourne next week, and is a stunning showcase of the Grimwade collection, featuring a veritable who’s who of Australian colonial art.

Artists including John Glover, Eugene von Guérard, John Skinner Prout and Augustus Earle are featured, with indisputable masterpieces like William Strutt’s Bushrangers, Victoria, Australia, 1852 (1887), through to rarely seen treasures such as Alexander Shaw’s A catalogue of the different specimens of cloth collected in the three voyages of Captain Cook, to the Southern Hemisphere, 1787.

The exhibition shows a changing vision of the country we inhabit.

The exhibition has been curated by Potter guest curator Henry F Skerritt, who was awarded the prestigious 2010 Grimwade Internship at the Ian Potter Museum of Art, to research the Grimwade collections.

Mr Skerritt, who studied Fine Art at the University of Melbourne, is also the lead singer of the Melbourne-based rock group The Holy Sea. Skerritt is no stranger to colonial Australia; The Holy Sea’s 2010 album Ghosts of the Horizon also explored colonial themes, from the arrival of Cook to the 2004 death in custody of Palm Islander Mulrunji Doomadgee.

The title of the exhibition comes from an 18th century term used to describe wealthy young virtuosi like Joseph Banks or Charles Darwin, who travelled the world in search of adventure and novelty.

“Stepping into the gallery will be like diving into the pages of a Boy’s Own Adventure novel,” Mr Skerritt says. “There is nothing reverential or traditional about Experimental gentlemen; we want to reinstate the sense of wonderment and awe that inspired explorers and adventurers to risk their lives in the pursuit of new sights and experiences.

“It is easy to forget how challenging the marvels of the new world were to these adventurers. What appears commonplace to us now was once so startling that it sent seismic reverberations through the old world, challenging the way Europeans thought about art, life and their place in the universe.”

This sense of wonderment is precisely in keeping with the spirit of the Grimwade collection, bequeathed to the University of Melbourne by Sir Russell and Lady Mabel Grimwade. Comprising over 600 artworks, 1000 books and a trove of photographs and archival materials, the Grimwade collection is one of the largest and finest colonial collections in Australia.

Sir Russell Grimwade (1879-1955) was fiercely passionate about fostering the development of an Australian historical narrative – so much so that in 1934 it inspired him to transport Captain Cook’s cottage from Yorkshire to Melbourne’s Fitzroy Gardens.

“Nowadays people might consider Grimwade to be something of an eccentric, but he was committed to celebrating Australia’s pioneer heritage. It was a heritage he felt closely connected to and I think he would be thrilled to think that 50 years after his death, people were still finding new ways to make the story of the past relevant through his collections,” says Mr Skerritt.

Experimental gentlemen is a free exhibition on show at the Ian Potter Museum of Art from 19 March to 25 September 2011. Open Tues-Fri 10am-5pm, Sat-Sun 12-5pm, closed Monday.
www.art-museum.unimelb.edu.au